2019中国国际海报双年展征集
发布时间:2019年7月12日 分类:视觉传达大赛 浏览量:1515
自海报诞生以来,无论时代如何变迁,海报一直承载着海报艺术家和设计师对政治、经济、文化和生活的观点与思考,它推动社会进步,促进经济增长,也丰富了人们的文化生活。海报成为时代发展的映照,体现了不同时期的社会问题、文化现象、流行美学与思想观念,兼具重要的文献研究价值。今天,世界飞速发展,这是一个伟大的变革时代,未来已来,从旧媒介到新媒介不断演化,设计已经成为人与社会的交互界面。本届中国国际海报双年展旨在挖掘、呈现新时代不同国家和地区海报的创新探索,以此推动国际专业设计领域间的文化交流与文明互鉴。
2003年中国国际海报双年展创办于中国杭州西子湖畔,是中国最高规格以海报为载体的国际设计竞赛,诞生之初就成为中华人民共和国文化部批准的文化交流项目,在过往的16年中一直受到国际平面设计界的关注,也是国际平面设计领域学术水平最高的海报竞赛和展览之一。
本届海报双年展由中国美术学院主办,中国美术学院设计艺术学院和中国国际设计博物馆联合承办,旨在反映国际平面设计界当下的设计现状,彰显海报的魅力,通过竞赛、展览、讲座、访谈、出版等手段,成为中国设计教育和设计研究的重要平台。
第九届中国国际海报双年展将于2019年9月中旬在中国杭州举办,评审团将由国际专业设计领域最具影响力的人士组成,将严格按照国际惯例,在所有符合参赛规则的作品中评选出各类奖项,评审结果完全由评审团作出最终判断。
1、征集范围:
全世界范围内的设计师和设计机构
2、作品类别:
A. 文化海报 B. 公益海报 C. 商业海报
3、截止日期:
本届比赛须同时提交电子稿和打印稿。
电子资料上传截止日期:2019年8月25日
实物作品递交时间:2019年9月1日前(以北京时间为准)
4、奖项设立:
全场大奖(一件)
金奖(各类别一件)
银奖(各类别二件)
铜奖(各类别三件)
评审奖(每个评委一件)
参赛费用:免费
5、参赛规则:
1.2019中国国际海报双年展参赛作品必须是2017年以后设计创作的作品,海报可由胶版印刷、丝网印刷或数码印刷完成。彩色喷墨作品谢绝递交。
2.作品尺寸:不小于36.4cmX51.5cm;不大于120cmX180cm。
3.每人参赛作品数量不限,系列作品按单件计(一个系列作品视为一个单件作品记数)。
4.为了避免参赛作品在邮寄途中遭损坏,建议采取安全包装方法。组委会对在邮寄途中遭到损坏或遗失的作品概不负责。
5.所有参赛作品都必须以“无商业价值印刷品”的形式寄达。组委会将不接受任何在邮寄税证或邮寄发票中写入商业标价的参赛作品。
所有参赛送交的作品恕不退还。
6、提交方式:
参赛者需先登陆中国国际海报双年展官方作品上传平台(www.cipb.org)进行线上报名,按照要求注册帐号,填写个人信息,具体流程如下:
a.登录赛事官方网站首页,点击上传作品,注册账号后进入报名上传系统;
b.按照提示填写作品相关信息并上传作品;
c.上传作品成功后,下载作品背签并填写信息;
d.如需再次提交本人其他作品可重复以上操作即可;
注:参赛者可使用同一个账号提交多份作品,无需重复注册。
7、提交要求:
1.电子文件提交参数:作品幅面A4,精度300dpi,文件格式为“jpg”,分辨率为300dpi,RGB模式,每张上传图片不超过5M。
2.参赛作品背签必须以电脑填写,贴于作品背面右下角(背签可复印)。参赛表格必须由参赛者本人亲笔签名,并密封装入信封内,随作品一同寄往组委会。表格填写模糊者将被取消参赛资格。作品一旦入选展览,参赛表格的个人信息将录用在《2019中国国际海报双年作品集》中。
3.每件参赛的作品一式二份,无须装裱。
8、实物作品递交信息:
中国浙江省杭州市西湖区转塘象山352号中国美术学院设计艺术学院18号楼204室
收件人:2019中国国际海报双年展组委会(国内件请使用顺丰速递)
移动电话:15968877391
固定电话:+86(571)87200266
9、免责声明:
参赛作品必须为参赛者本人或团队的原创作品,如一旦发现参赛作品为抄袭他人创意、概念的行为,或作品发生版权、知识产权等纠纷,由作者自行承担后果,一概与中国国际海报双年展组委会无关,组委会将取消其参赛资格。
组委会拥有所有参赛作品的展览、出版、宣传、收藏、用于电视、网络、平面或广播媒体展示的权利。
对本次活动规则产生任何疑议,组委会保留最终解释权。与本次活动有关的任何未尽事宜,均由组委会进一步规定规则并进行解释。
赛事征集简章及作品提交网址:www.cipb.org
赛事官方邮箱:info@cipb.org
主办:中国美术学院
承办:中国美术学院设计艺术学院 中国美术学院中国国际设计博物馆
总策划:许江
总顾问:杭间
学术委员:赵燕 毕学锋 韩绪 袁由敏 陈正达 俞佳迪
主席:毕学锋
副主席:陈正达
执行主席:吴炜晨
秘书长:王弋 徐振庭
关于承办方:
中国美术学院设计艺术学院:
设计艺术学院历史可追溯至1928年国立艺术院的图案科,是中国最早建立的设计学科。学院以本土性、时代性、国际性为出发点,更新学术思想与办学理念;坚守“品学通、艺理通、古今通、中外通”的培养目标,注重东方美学的研究梳理,立足当代设计思想的更新,构建具有中国特色的“东方设计学”核心体系。经过90余年的发展,设计艺术学院已经成为中国最具国际影响力的设计教育机构。
中国美术学院中国国际设计博物馆:
位于杭州中国美术学院象山校区,总建筑面积为1.68万平方米,由葡萄牙当代著名建筑设计师阿尔瓦罗•西扎设计而成。博物馆通过馆藏作品,推出研究性的近现代设计作品展览,梳理设计与生活、艺术、社会、科技发展的关系,依托中国美术学院的学术资源,系统策划跨界的中外当代设计作品展览,追踪当代设计前沿,致力于当代文化消费的观念更新,推动文化创意产业的发展,服务全社会的公共文化服务体系。
2019 The 9th China International Poster Biennal
Ever since posters came into people’s life, no matter how the times change, posters have always visualized the artist’s views of and reflections on politics, economy, culture and life, promoting social progresses and economic growth, and enriching cultural life. Posters are worthy of study as an important literature and also as a visual indicator of the social devel-opment in different times, indicating social problems, cultural phenomena, popular aes-thetics and trends of thoughts. Today, with the rapid development of the world, this is a great era of change. The future has arrived, when art designs are made with new media in-stead of the old, into an interactive interface between individuals and the society. This year's China international poster biennale aims to explore and exhibit the innovations from different countries and regions in the new era and to promote cultural exchanges and mu-tual learning among international professional designers.
Since 2003, when the 1st China International Poster Biennale was held in Hangzhou by the West Lake, the exhibition has always been China's top-notch international competition of poster design, a cultural exchange program approved by the Ministry of Culture. In the past 16 years, it has been one of the poster contests and exhibitions that are academically advanced and are appealing to the international graphic designers.
This year’s poster biennale is sponsored by the China Academy of Art, organized by CAA’s School of Design and China Design Museum. It is intended to present the up-to-date art-of-the-skill of graphic design and the charm of posters. Hopefully, via competing, exhibit-ing, lecturing, publishing, interviewing and reviewing, it will grow into an important plat-form in China’s design teaching and study.
The 9th China International Poster Biennale will be held in Hangzhou, China in mid-September, 2019. The jury will be made up of the most influential professional designers and artists from all over the world. It is the international practice that the jury will have the complete right of and the final say on selecting the works for all the awards.
1
Admissibility criteria:
The worldwide professional designers and design institutes.
Poster categories:
A.Cultural Posters
B.Public Affairs Posters
C.Commercial Posters
Prizes:
Grand award (one in all categories)
Gold awards (one for each category )
Silver awards (two for each category )
Bronze awards (three for each category )
Jury awards (one for each judge)
Participation fee: Free of Charge
For this year’s exhibition, you have to submit both the e-copy and the print of your work.
Deadline:
Upload your work online before Aug.25, 2019
Your print copy has to be delivered before Sep.1, 2019 Beijing time
2
Rules and regulations:
1. All submitted posters for the 2019 Biennale have to be originals made after 2017. Post-ers can be printed in ways of offset, silk-screen, or digital printing. But please NOTICE that NO INK-JET OR HAND DRAWING WORK IS ACCEPTED.
2. Size of posters:
no smaller than 36.4cm x 51.5cm (14.3 inches x 20.3 inches) and no larger than 120.0cm x 180.0cm (70.9 inches x 47.3 inches)
3. There is no upper limit on the number of works that a single participant can submit. Se-rial works are considered as one entry.
4. To avoid damages in shipping, safe packaging is recommended. The organizing com-mittee shall not be liable for any damages or missing packages of the entries caused by mailing.
5. All posters have to be sent as prints without any commercial value. Please do not in-clude the price of your submission on the postal declaration or invoice. The organizing committee will not accept any entries that declare a commercial value in its postage tax bill or mailing invoice.
All entries are not returnable.
Ways of submitting:
All participants have to log onto the official website of China International Poster Biennale @ http://www.cipb.org/, register online Following are the procedures:
a. Log onto , click the “upload” icon, set up an account to get into the registration system.
b. Fill out the information as indicated and upload/submit your work.
c. After submitting your work, download the name tag for your submission and fill it out.
d. If you have multiple works to upload, you may repeat steps b and c.
NOTE:You may submit multiple works with one account. Please do not register repeat-edly.
Requirements for the e-copy of your work:
1. Requirements for your E-copy: Size A4, 300dpi accuracy, JPG file format, 300dpi reso-lution, RGB mode, each uploaded picture is no bigger than 5 mega bytes.
2. Requirements for prints: The name tag must be printed and pasted on the lower right corner of the back (the tag can be duplicated). The form for participating has to be signed by the participant, sealed in an envelope and mailed along with the print of your entry to the organizing committee. Those who fail to fill in the form will be disqualified. Once your work is selected for the exhibition, the information you write on the entry form will be in-cluded in the “2019 China International Poster Biennale Collection”.
3. Two copies of each entry are required. No mounting required.
3
Shipping address:
The 2019 CIPB Committee
Room 204, Bld 18, Xiangshan Campus of China Academy of Art
352 Xiangshan, Zhuantang County
310024, Hangzhou, China
Mobile:15968877391
Office No.:+86(571)87200266
4
Disclaimer:
All entries have to be originally created by the participants or the participating teams. Once any entry is found plagiarism in ideas or concepts, or is entangled with copyright or intel-lectual property issues, it is the author(s) who is/are liable for the consequences. The or-ganizing committee of the China International Poster Biennale will disqualify the author.
For all the exhibited entries, the organizing committee has the right to exhibit, publish, publicize, collect and display all entries on TV, Internet, print or broadcasting media.
If there is any doubt about the rules, the organizing committee reserves the right to give the final interpretations. For anything that has not been mentioned here, the organizing committee reserves the right to make further interpretations to the more detailed rules.
Hosted by:China Academy of Art
Organized by:School of Design,China Academy of Art,China Design Museum of CAA
Curator:XU Jiang
Advisor:HANG Jian
Academic Committee:ZHAO Yan, BI Xuefeng, HAN Xu, YUAN Youmin, CHEN Zhengda, YU Jiadi
Chairman:BI Xuefeng
Deputy Chairman:CHEN Zhengda
Executive Chairman:WU Weichen
Chief secretary:WANG Yi, XU ZHENTING
About the organizer:
The School of Design of China Academy of Art
The earliest history of the school can be traced back to the Patterns Department of the previous National Academy of Art, China's earliest established modern discipline of design art that was founded in 1928. The school takes its features of being localized, contempo-rary and internationalized as the starting point to update its academic ideas and educa-tional philosophy. Adhering to the goal of fostering students with a good taste and learn-ing capacity, a good command of art and theory, the knowledge of history and of the world, the school focuses on the study of oriental aesthetics while building the core cur-riculum of Oriental Design on top of updating the contemporary design ideas. After more than 90 years of development, School of Design has become a leading design education institution in China in terms of its international influences.
China Design Museum of China Academy of Art:
The museum is located on Xiangshan campus of China Academy of Art, having a total construction area of 16,800 square meters. It is designed by the well-known Portuguese contemporary architect designer Alvaro Siza. The museum displays the relationships be-tween design and life, design and art, design and the society, design and science & tech-nology development by setting up the contemporary design exhibitions with its collec-tions. Backed by the academic resources of CAA, the museum also exhibits cross-border contemporary design works made worldwide to keep up with the cutting-edge skill, to up-date the contemporary cultural consumption concept, to promote the development of cul-tural creative industry, and to serve the public cultural services system.
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