2020年“世界最美的书”获奖作品(完整版)

发布时间:2020年3月2日 分类:视觉传达作品 浏览量:6568

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这不是一个单纯看颜值的奖项,更看重的还有编辑设计思路与文本结构是否出人意表。

“世界最美的书”组委会德国图书艺术基金会今年共收到来自全球30个国家和地区的参评作品700余件。国际评委团经过2天的精挑细选,最终推选出14部作品荣膺2020“世界最美的书”称号。这些获奖作品分别来自10个国家或地区。由上海古籍出版社的《观照——栖居的哲学》荣获“世界最美的书”铜奖。这也是来自中国的“最美的书”在“世界最美的书”竞技场上获得的第21个奖项。该书由南京著名设计师潘焰荣设计,这也是他继2018年《茶典》摘得世界“最美的书”荣誉后,再一次获得殊荣。
《观照——栖居的哲学》由来自南京的设计师潘焰荣设计,洪卫著。此书是一本探究中国家具设计未来的专著,作者洪卫先生对中国传统家具学习研究多年,他的家具设计,致敬传统,着眼未来。他注重手造传统智慧与当代生活美学的衔接,去探讨中国家具的栖居哲学。
“观照”可以说是古与今的观照,也可以说是人与物的观照。该书中的家具作品,融入了自然里的一山一水,一草一木……无不相映成趣,处处皆在观照之中。
该书的设计以深咖色为主色调,与家具的木质颜色融为一体。哑光金色的书名映入眼帘,营造出东方语境的审美意趣。图文的编排节奏,纸张材质的变化,给读者以丰富的阅读体验。书中三部分的插页打破了阅读的节奏,让读者得到片刻的停顿与思考,引领读者去体会传统老家具的魅力,使传统与现代设计有了融合与呼应,这也是该书整体设计概念的表达。
而今年来自瑞士的出版物《Almanach Ecart. Une archive collective, 1969-2019》获得了最高奖项“金字符(Golden Letter)奖”!
由德国图书艺术基金会主办的“世界最美的书”评选已有近百年历史,代表了当今世界书籍艺术设计的最高荣誉。每年一届评选出的“世界最美的书”都会在当年的莱比锡书展和法兰克福书展与读者见面,并在世界各地巡展。
今日福利来了所有获奖作品在线欣赏
今年的评委
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Johannes Bissinger / Germany
Na Kim / South Korea
Adam Macháček / USA, Czech Republic
Ondine Pannet / France
评选现场
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金字符奖
瑞士Elisabeth Jobin, Yann Chateigné
Almanach Ecart. Une archive collective, 1969-2019Design: Dan Solbach
Print: TBS, La Buona Stampa SA, Pregassona (CH)
Publisher: HEAD – Genève / art&fiction publications
ISBN: 978-2-940570-85-0
Format: 244 × 322 mm
Pages: 424
Printrun: 1000–
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评审团评论•通过强大的编排能力,将过去的主题变成当今书籍主题的一部分。•通过记录艺术家集体的真实档案材料采用互文的手法,将虚构的年历转化为Ecart作品中的另一个项目。•书籍所选用的字体基于当年通信中使用的打印机自定义字体。•选材考究,设计着眼于细节之处。

金奖
奥地利Andreas Lechner
Entwurf einer architektonischen GebäudelehreDesign: CH Studio
Printer: Medienfabrik, Graz
Publisher: Park Books, Zurich
ISBN: 978-3-03860-068-8
Format: 230 × 310 mm
Pages: 492
Printrun: 1000–
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评审团评论•没有彩色插图,没有照片,只有文字和线条。•500张薄薄的浅灰色书页,令人心生愉悦。•近乎完美!•大家对这本书很快就达成了共识,没有任何讨论。
银奖
爱沙尼亚Gordon Matta-Clark, Anu Vahtra
Short Term EternityDesign: Indrek Sirkel
Print: Tallinna Book Printers
Publisher: Lugemik, Tallinn in cooperation with the Art Museum of Estonia
ISBN: 978-9949-7234-6-1
Format: 110 × 165 mm
Pages: 248
Printrun: 550–
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评审团评论•有意使用柔和的半透明页面,将透明图像作为扩展成分的元素。•这本书汇集了两位艺术家:戈登·马塔·克拉克(Gordon Matta-Clark)和阿努·瓦赫特拉(Anu Vahtra),他们的实践作法在许多方面相互关联(即使他们生于不同的时代和地点)。•这本书及其艺术家们反映了其他人甚至没有意识到的空间状况。•间隙,空间,非空间,背景。
加拿大 / 瑞士Giovanna Borasi, Albert Ferré, Francesco Garutti, Jayne Kelley, Mirko Zardini
The Museum is Not Enough / Le Musée Ne Suffit pasDesign: (Studio) Jonathan Hares
Printer: Druckerei Odermatt AG, Dallenwil (CH)
Publisher: Sternberg Press, Berlin
ISBN: 978-1-927071-58-8 (CCA) -978-3-95679-517-6 (Sternberg Press)
Format: 240 × 310 mm
Pages: 200
Printrun: 2600 (2000 English / 600 French)–
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评审团评论•简单但美丽的设计,粗体字配合上压印的标题。•标题的视觉重点总结了一系列的问题,其中包括文化机构框架之外的建筑。• 该机构,加拿大建筑中心(Canadian Centre for Architecture),在整本书中,以第一人称、大衬线字体与读者交流,与那些使用无衬线字体并严格按照网格排版的采访稿、文章和图像文字形成了鲜明对比。• 它功能性强,平易近人,统一,但生动地反映了许多不同的声音。
铜奖
荷兰Andres Gonzalez
American OrigamiDesign: Hans Gremmen
Print: Grafiplaza, Amsterdam
Publisher: Fw:Books, Amsterdam
ISBN: 978 94 90119-81-2
Format: 240 × 280 mm
Pages: 384
Printrun: 1000–
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评审团评论•耗费六年的摄影研究成果。•调查了美国学校大规模枪击事件的蔓延情况。•以独特的方式创造了一个视觉上的平行世界。•静谧的风景与遗留之物交织在一起。
日本Daisuke Sasaki
A Wizard of TonoDesign: Fujita Hiromi
Print: Nissha Co., Ltd.
Publisher: Numabooks, Tokyo
ISBN: 978-4-909242-03-7
Format: 235 × 160 mm(codex binding+photo acyl pasting)
Pages: 204
Printrun: 350–
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评审团评论•书籍封面上有一块3毫米厚的透明亚克力板。•看起来像透过窗户看到的风景。•书籍的外观没有任何排版。•宽阔的页边距使得文本页面简洁淳朴。
以色列Talya Weitzman
Outside Of EverywhereDesign: Talya Weitzman
Print: AR print, Tel Aviv
Publisher: self-published, graduation project at Bezalel Academy of Arts and Design, Jerusalem
ISBN: X
Format: 210 × 297 mm
Pages: 174
Printrun: 10–
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•“这本书描述了我生活中所经历的一次在慈善福利机构的漫步。”(作者/设计师)•书中使用的照片裁剪手法并不代表着装饰性,它们似乎反映了一种内在的冲突。•存在,不存在,回顾,展望,空白的空白,重叠的印象。
葡萄牙Ana Jotta, Ricardo Valentim
MOERDesign: Márcia Novais (from the layout by Sebastião Rodrigues)
Print: Maiadouro
Publisher: Gulbenkian, Lisbon
ISBN: 978-989-8758-57-6
Format: 170× 230 mm
Pages: 624
Printrun: 500–
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评审团评论•两名有着相似兴趣的艺术家之间的紧密合作和对话的地图集,诸如排版、展览、艺术概念——从不质疑这些。•尽管以系列的形式发布,MOER仍不时偏离其指导原。•剩下的是一个简单的设计,每一次阅读都会重新吸引观众。•带防尘套的精装本,哑光纸上的黑白印刷,大量页面配合经典的堵头布设计,以及居中板式的印刷。•这种对比使这本书非常风趣。
中国洪卫
观照——栖居的哲学Design: 潘焰荣
Print: Nanjing New Century Alliance Printing Co., Ltd.
Publisher: Shanghai Classics Publishing House
ISBN: 9787532593637
Format: 230 × 330 mm
Pages: 444
Printrun: 1200–
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评审团评论•高级的选材与高级的产品,正如所展示的那样。•这本书几乎成了一本哲学产品目录。•标题、内容和制作——都在诉说着相同的语言。
荣誉奖
瑞士Alex Hanimann
Etwas FehltDesign: Vinzenz Meyner
Print: Kösel GmbH & Co. KG, Altusried-Krugzell
Publisher: Edition Patrick Frey, Zurich
ISBN: 978-3-906803-84-5
Format: 234 × 320 mm
Pages: 524
Printrun: 800–
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俄罗斯Kirill Gluschenko
Venets. Welcome to the IdealDesign: Kirill Gluschenko
Print: PNB Print
Publisher: Gluschenkoizdat, Moscow
ISBN: 9-785990-951914
Format: 200 × 260 mm
Pages: 320
Printrun: 500–
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波兰Iwona Pasińska, photos: Andrzej Grabowski
45Design: Ryszard Bienert
Print: ARGRAF
Publisher: Polish Dance Theatrem, Poznan
ISBN: 978 – 83 – 951669 – 0 -7
Format: 148 mm x 168 mm
Pages: 528
Printrun: 500–
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荷兰Elspeth Diederix
When Red DisappearsDesign: Hans Gremmen
Print: robstolk®, Amsterdam
Publisher: Fw:Books, Amsterdam
ISBN: 978 94 90119-77-5
Format: 230 × 335 mm
Pages: 88
Printrun: 1000–
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德国Tobias Klett, Lea Kolling / Ludovic Balland, Julia Blume
Weltall Erde Mensch #23Design: Tobias Klett, Lea Kolling
Print: DZA Druckerei zu Altenburg
Publisher: Institut für Buchkunst Leipzig
ISBN: 978-3-947139-04-0
Format: 22 × 34 cm
Pages: 96
Printrun: 200–
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